It's (a)live

Over the last few months I've been working pretty much day and night in order to launch the revamped 256ART platform for generative artists. This artwork is called "It's (a)live" as not only is it celebrating the launch of 256ART, but the art itself is alive. The goal of “It’s (a)live is to represent the possibilities of fully on chain generative art, where there is a lot of room left for experimentation. If you check the live view of your piece, you will quite literally see the art come alive. ...

Over the last few months I've been working pretty much day and night in order to launch the revamped 256ART platform for generative artists. This artwork is called "It's (a)live" as not only is it celebrating the launch of 256ART, but the art itself is alive. The goal of “It’s (a)live is to represent the possibilities of fully on chain generative art, where there is a lot of room left for experimentation. If you check the live view of your piece, you will quite literally see the art come alive. The feeling I wanted to re-create is that of an old movie, but one where the movie is an forever-evolving piece of art. It’s my strong belief that generative art has an unlimited amount of experimentation ahead of it. With 256ART, we want to create a space where artists are free to do just that whilst at the same time telling the stories that led them to create their art. On a more personal note, the series represents the slow (but steady) progress I have been making, both on 256ART and on myself. I would invite you to read through my story on my artist page as well. It's been a rocky ride, but both myself and 256ART keep pushing forward step by step.